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At line 25 changed 3 lines
[Rand] is having a nightmare where he has apparently slain all of his friends. [Ishamael] is there watching and disappears with a chuckle.
Rand wakes up and stands alone in a room in [Cairhien|Cairhien (City)]. [Selene], in bed, asks if he had another nightmare. He doesn't answer and she
goes over to where he's standing. She puts a hand on his chest, but he says he has to go to work. She says he still owes room and board for this month.
[Rand] experiences a nightmare where he appears to have slain his friends, with [Ishamael] observing and vanishing with a chuckle. He awakens in a room in [Cairhien|Cairhien (City)], standing alone. [Selene], in bed, asks if he had another nightmare, but he remains silent. She approaches, placing a hand on his chest, though he states he must go to work. She reminds him he owes room and board for the month.
At line 31 changed one line
[Rand] walks through the [Foregate|Cairhien (City)] into the city proper and enters a building. He switches his jacket for a robe and continues on into the building, walking past various rooms with patients. It's a mental asylum. There's a lot of loud voices, including a male voice saying "Do you hear me? You are mine, Rand al'Thor."
[[Rand] walks through the [Foregate|Cairhien (City)] into the city, entering a building where he exchanges his jacket for a robe. He passes rooms with patients, revealing it as a mental asylum filled with loud voices, including a man’s cry, "Do you hear me? You are mine, Rand al’Thor."
At line 35 changed one line
At [Verin]'s place, [Lan] and [Moiraine] are recovering from their [Healing]. [Adeleas] and [Verin] come outside to look after them. [Verin] says the she and her sister will accompany them and assuming that the [White Tower] will be the first stop. [Moiraine] tells [Verin] that she's been exiled, but [Verin] says she already knows. [Lan] stands, gingerly, and [Moiraine] tells him that they need to leave soon. She tells him to have [Tomas] ready her horse because [Lan] is still feeling weak.
At [Verin]’s residence, [Lan] and [Moiraine] recover from [Healing] as [Adeleas] and [Verin] step outside to tend to them. [Verin] proposes accompanying them, suggesting the [White Tower] as the first stop, though [Moiraine] reveals her exile. [Verin] acknowledges this and [Lan], rising gingerly, is told by [Moiraine] they must leave soon, instructing him to have [[Tomas] ready her horse due to his weakness.
At line 39 changed 2 lines
The Hunters for the [Horn], mounted, are traveling through [Arad Doman], led by [Elyas], on foot. [Uno] complains about the lack of speed.
They get to a clearing at a river, and [Elyas] says this is where they crossed. There are buildings visible on the other side of the river. [Ingtar] has a bad feeling about it. They cross the river and enter the building, which has a courtyard. [Perrin] thinks he sees a woman in a window and tells everyone. [Ingtar] and [Perrin] enter the house and [Perrin] sees a family at a dinner table being attacked by a man and a [Fade]. [Perrin] turns around and sees [Elyas] standing in the doorway, who says "This is where it happened." [Perrin] turns back to the room and sees hundreds of flies and other insects buzzing around. [Elyas] tells [Perrin] that it's useful to know the difference between vision and reality. [Perrin] assumes that [Elyas] is doing this to him, but [Elyas] denies it.
The Hunters for the [[Horn], led by [Elyas] on foot, ride through [Arad Doman], with [Uno] grumbling about their slow pace. Reaching a river clearing, [Elyas] notes that the group they chase, including [Fain], crossed here, with buildings visible beyond. [Ingtar] senses unease as they cross and enter a courtyard. [Perrin] spots a woman in a window, and with [Ingtar], enters to see a family under attack by a man and a [Fade]. [Elyas], at the doorway, remarks, "This is where it happened." [Perrin] turns back to find flies and insects buzzing, and [Elyas] explains the difference between vision and reality, denying he caused it. In the courtyard, someone informs [Masema] of something to see, leading him to a [Fade] nailed alive to a door, now dead, prompting speculation it was [Padan Fain]’s work.
At line 39 added one line